by Mary Tevlin | Jan 5, 2016 | Artist Colors, Blues |
Phthalo Blue: Warm blue first made for printmaking ink (cyan) to replace Prussian Blue in the 1920’s. With clean, pure masstone and transparency, Phthalo Blue, like all modern colors, has high tinting strength. Pigment: Copper phthalocyanine (PB 15:2)Vehicle:... 
by Mary Tevlin | Jan 5, 2016 | Artist Colors, Violets |
Quinacridone Violet: Robert Gamblin loves violets, which is why he added this strong, clean Quinacridone Violet. More intense than Ultra Violet, warmer than Manganese Violet. Pigment: Quinacridone Violet (PV 19) Vehicle: Alkali refined linseed oil Lightfastness I,... 
by Mary Tevlin | Jan 5, 2016 | Artist Colors, Reds |
Napthol Scarlet: Intense warm modern red that replaces Vermillion. Consider using Portland Greys instead of white to make tints. Pigment: Napthol AS-OL (PR188) Vehicle: Alkali refined linseed oil Lightfastness II, Series 2, SEMI-TRANSPARENT Color Temperature: Warm SDS... 
by Mary Tevlin | Jan 5, 2016 | Yellows, Artist Colors |
Nickel Titanate Yellow: An opaque, relatively muted yellow. Whereas most muted yellows, such as Yellow Ochre and Naples Yellow Hue, lean toward the warm side of yellow, Nickel Titanate is a cool, greenish yellow. Its tendency to grey down in tints and mixtures makes... 
by Mary Tevlin | Jan 5, 2016 | Artist Colors, Radiants |
Radiant Magenta – Click here to learn more about painting with our Radiant Colors! Pigment: Quinacridone Red, Titanium dioxide, (PV 19, PW 6) Vehicle: Alkali refined linseed oil Lightfastness I, Series 2, OPAQUE Color Temperature: Cool SDS Juega juegos de los... 
by Mary Tevlin | Jan 4, 2016 | Yellows, Artist Colors |
Hansa Yellow Light: Hansa Yellows are not Cadmium wannabes! Coolest yellow. Cleaner in masstone, brighter in tint, more transparent, try using Hansa Yellow Light instead of Cad Yellow Light where transparency is desired. Also useful to intensify tint of Cadmium...