by Mary Tevlin | Jan 1, 2016 | Artist Colors, Blacks & Greys |
Portland Cool Grey: A middle-value, blue-grey. Ideal for reducing the chroma of violets, blues and greens. Mix Portland Cool Grey with Titanium Buff to create a green-grey or with Portland Warm Grey to create a violet-grey. Click here to learn more about painting with... 
by Mary Tevlin | Jan 1, 2016 | Artist Colors, Greens |
Green Gold: For a modern pigment, Green Gold has a fairly muted, olive green masstone. Its most interesting quality is its warm, glowing transparency. Excellent for glazing. High tinting strength. Pigment: Azomethine Yellow 56 (PY 129) Vehicle: Alkali refined linseed... 
by Mary Tevlin | Jan 1, 2016 | Artist Colors, Blues |
Ultramarine Blue: A great glazing color, warm Ultramarine Blue is one of the few mineral colors that is completely transparent. Lightfast with moderate tinting strength. Consider using Alizarin Permanent instead of Alizarin Crimson to mix violets. Pigment: Complex... 
by Mary Tevlin | Jan 1, 2016 | Artist Colors, Violets |
Manganese Violet: A good drying color that makes a natural-looking tint, this warm, reddish, semi-transparent violet is made from the compound manganese phosphate, first discovered in 1868. Pigment: Manganese ammonium phosphate (PV 16) Vehicle: Alkali refined linseed... 
by Mary Tevlin | Jan 1, 2016 | Artist Colors, Reds |
Quinacridone Red: Cool lightfast modern red with high key tint. Useful in place of Alizarin Crimson where more intense masstone and mixtures are desired. Pigment: Quinacridone red b (PV19) Vehicle: Alkali refined linseed oil Lightfastness I, Series 3, TRANSPARENT...