by Mary Tevlin | Apr 6, 2016 | FastMatte |
Yellow Ochre: Clay and silica colored with various kinds of iron oxides, ochre has been used in art-making media since earliest history. Muted earthy yellow brown with good hiding power and muted tint. Pigment: Natural hydrated iron oxide (PY 43) Vehicle: Alkyd resin,... 
by Mary Tevlin | Apr 6, 2016 | FastMatte |
Transparent Earth Red: This is a truly transparent version of Venetian Red. FastMatte Transparent Earth Red is excellent for imprimatura underpainting techniques. Pigment: Transparent Mars Red (PR 101) Vehicle: Alkyd resin, refined linseed oil Lightfastness I, Series... 
by Mary Tevlin | Apr 6, 2016 | FastMatte |
Burnt Sienna: Natural calcined (roasted) earth pigment. More opaque today than 200 years ago. For greater transparency, consider Transparent Earth Red. Pigment: Calcined natural iron oxide (PBr 7) Vehicle: Alkyd resin, refined linseed oil Lightfastness I, Series 1,... 
by Mary Tevlin | Apr 6, 2016 | FastMatte |
Raw Umber: Vigorous drier due to high manganese content (which also gives Umbers their dark color). Pigment: Natural iron oxide containing manganese (PBr 7) Vehicle: Alkyd resin, refined linseed oil Lightfastness I, Series 1,... 
by Mary Tevlin | Apr 6, 2016 | FastMatte |
Chromatic Black: A neutral, tinting black made from complementary colors rather than the usual carbon or iron oxide blacks. Consider mixing with FastMatte Titanium White for grisaille underpainting techniques. Pigment: Chlorinated and bromated phthalocyanine,... 
by Mary Tevlin | Apr 6, 2016 | FastMatte |
Ivory Black: A good, all-purpose black that’s a solid choice for mixing greys, tinting, and mixing with other colors. Slightly warm in its transparency with a weak tinting strength. Pigment: Bone black (PBk 9) Vehicle: Alkyd resin, refined linseed oil... 
by Mary Tevlin | Apr 6, 2016 | Uncategorized |
Fast Matte Titanium White was discontinued in 2024 Using Fast Matte Titanium White with traditional oil colors will speed the drying of mixtures and make them dry more matte. This is the fastest-drying oil color we make, drying within 24 hours on average to an... 
by Mary Tevlin | Apr 6, 2016 | Etching Ink |
Hansa Yellow Light: Hansa Yellow Light is a cool yellow. Cleaner in masstone, brighter in tint and more transparent than a Cad Yellow Light. Excellent for mixing intense oranges and greens. Pigment: Arylide yellow (PY 3) Vehicle: Burnt Plate Oil Series 3,... 
by Mary Tevlin | Apr 6, 2016 | Etching Ink |
Yellow Ochre: Clay and silica colored with various kinds of iron oxides, ochre has been used in art-making media since earliest history. Muted earthy yellow brown with good hiding power and muted tint. Pigment: Natural hydrated iron oxide (PY 43) Vehicle: Burnt Plate... 
by Mary Tevlin | Apr 6, 2016 | Etching Ink |
Sepia: Sepia is a rich warm earth color in both its’ masstone and transparency. Pigment: Bone Black (PBk9), Transparent Mars Red (PR101) Vehicle: Burnt Plate Oil Series 2, OPAQUE, SDS
