by Carrie Judah | Apr 6, 2016 | Etching Ink |
Yellow Ochre: Clay and silica colored with various kinds of iron oxides, ochre has been used in art-making media since earliest history. Muted earthy yellow brown with good hiding power and muted tint. Pigment: Natural hydrated iron oxide (PY 43) Vehicle: Burnt Plate... by Carrie Judah | Apr 6, 2016 | Etching Ink |
Sepia: Sepia is a rich warm earth color in both its’ masstone and transparency. Pigment: Bone Black (PBk9), Transparent Mars Red (PR101) Vehicle: Burnt Plate Oil Series 2, OPAQUE, SDS by Carrie Judah | Apr 6, 2016 | Etching Ink |
Napthol Red: Modern organic warm red that closely matches Cadmium Red Medium in masstone. Makes more intense tints, more transparent. Pigment: Napthol AS-D (PR112) Vehicle: Burnt Plate Oil Series 2, SEMI-TRANSPARENT, SDS by Carrie Judah | Apr 6, 2016 | Etching Ink |
Quinacridone Red: Cool lightfast modern red with high key tint. Useful in place of Alizarin Crimson where more intense masstone and mixtures are desired. Pigment: Quinacridone red b (PV19) Vehicle: Burnt Plate Oil Series 3, TRANSPARENT, SDS by Carrie Judah | Apr 6, 2016 | Etching Ink |
Dioxazine Purple: A cold color with the strongest tinting strength and deepest transparency of all pigments, modern Diox is useful as a high key tint. This purple is so strong that some use it as a black. Diox makes a cold intense tint. Pigment: Carbazol dioxazine (PV... by Carrie Judah | Apr 6, 2016 | Etching Ink |
Ultramarine Blue: Ultra Blue is one of the few mineral colors that is completely transparent. Lightfast with moderate tinting strength. Pigment: Complex silicate of sodium & aluminum with sulfur (PB 29) Vehicle: Burn Plate Oil Series 2,...