by Carrie Judah | Apr 6, 2016 | FastMatte |
Transparent Earth Red: This is a truly transparent version of Venetian Red. FastMatte Transparent Earth Red is excellent for imprimatura underpainting techniques. Pigment: Transparent Mars Red (PR 101) Vehicle: Alkyd resin, refined linseed oil Lightfastness I, Series... by Carrie Judah | Apr 6, 2016 | FastMatte |
Burnt Sienna: Natural calcined (roasted) earth pigment. More opaque today than 200 years ago. For greater transparency, consider Transparent Earth Red. Pigment: Calcined natural iron oxide (PBr 7) Vehicle: Alkyd resin, refined linseed oil Lightfastness I, Series 1,... by Carrie Judah | Apr 6, 2016 | FastMatte |
Raw Umber: Vigorous drier due to high manganese content (which also gives Umbers their dark color). Pigment: Natural iron oxide containing manganese (PBr 7) Vehicle: Alkyd resin, refined linseed oil Lightfastness I, Series 1,... by Carrie Judah | Apr 6, 2016 | FastMatte |
Chromatic Black: A neutral, tinting black made from complementary colors rather than the usual carbon or iron oxide blacks. Consider mixing with FastMatte Titanium White for grisaille underpainting techniques. Pigment: Chlorinated and bromated phthalocyanine,... by Carrie Judah | Apr 6, 2016 | FastMatte |
Ivory Black: A good, all-purpose black that’s a solid choice for mixing greys, tinting, and mixing with other colors. Slightly warm in its transparency with a weak tinting strength. Pigment: Bone black (PBk 9) Vehicle: Alkyd resin, refined linseed oil... by Carrie Judah | Apr 6, 2016 | Etching Ink |
Hansa Yellow Light: Hansa Yellow Light is a cool yellow. Cleaner in masstone, brighter in tint and more transparent than a Cad Yellow Light. Excellent for mixing intense oranges and greens. Pigment: Arylide yellow (PY 3) Vehicle: Burnt Plate Oil Series 3,...