by Mary Tevlin | Apr 6, 2016 | FastMatte |
Cadmium Red Light: Orange/red first synthesized in 1910. Because of its muted tints, excellent color for natural light painting. Pigment: Concentrated cadmium sulfo-selenide (PR 108) Vehicle: Alkyd resin, refined linseed oil Lightfastness I, Series 5,... 
by Mary Tevlin | Apr 6, 2016 | FastMatte |
Napthol Scarlet: Intense warm modern red that replaces Vermillion. More intense in its tint and mixtures compared to Cadmium Red. Pigment: Napthol AS-OL (PR188) Vehicle: Alkyd resin, refined linseed oil Lightfastness II, Series 2,... 
by Mary Tevlin | Apr 6, 2016 | FastMatte |
Alizarin Permanent: Cool, slightly bluish red with smoky glaze. Robert Gamblin has mixed lightfast pigments to form a true replacement for Alizarin Crimson. Slightly less intense in tint, but excellent match in masstone and transparency. Pigment: Anthraquinone Red (PR... 
by Mary Tevlin | Apr 6, 2016 | FastMatte |
Quinacridone Red: Cool lightfast modern red with high key tint. Useful in place of Alizarin Permanent where more intense masstone and mixtures are desired. Pigment: Quinacridone red b (PV19) Vehicle: Alkyd resin, refined linseed oil Lightfastness I, Series 3,... 
by Mary Tevlin | Apr 6, 2016 | FastMatte |
Dioxazine Purple: A cool violet with strong tinting strength, modern Diox is useful as a high key tint. Consider mixing with Quinacridone Red for warmer violets. Pigment: Carbazol dioxazine (PV 23) Vehicle: Alkyd resin, refined linseed oil Lightfastness I, Series 2,...