by Mary Tevlin | Apr 6, 2016 | FastMatte |
Cadmium Green: A bright, light green mixture of Viridian and Cadmium Yellow. Opaque and useful to make muted colors of the natural world. Pigment: Concentrated cadmium zinc sulfide, hydrated chromium oxide (PY 35, PG 18) Vehicle: Alkyd resin, refined linseed oil... 
by Mary Tevlin | Apr 6, 2016 | FastMatte |
Yellow Ochre: Clay and silica colored with various kinds of iron oxides, ochre has been used in art-making media since earliest history. Muted earthy yellow brown with good hiding power and muted tint. Pigment: Natural hydrated iron oxide (PY 43) Vehicle: Alkyd resin,... 
by Mary Tevlin | Apr 6, 2016 | FastMatte |
Transparent Earth Red: This is a truly transparent version of Venetian Red. FastMatte Transparent Earth Red is excellent for imprimatura underpainting techniques. Pigment: Transparent Mars Red (PR 101) Vehicle: Alkyd resin, refined linseed oil Lightfastness I, Series... 
by Mary Tevlin | Apr 6, 2016 | FastMatte |
Burnt Sienna: Natural calcined (roasted) earth pigment. More opaque today than 200 years ago. For greater transparency, consider Transparent Earth Red. Pigment: Calcined natural iron oxide (PBr 7) Vehicle: Alkyd resin, refined linseed oil Lightfastness I, Series 1,... 
by Mary Tevlin | Apr 6, 2016 | FastMatte |
Raw Umber: Vigorous drier due to high manganese content (which also gives Umbers their dark color). Pigment: Natural iron oxide containing manganese (PBr 7) Vehicle: Alkyd resin, refined linseed oil Lightfastness I, Series 1,...